Beetlejuice is a 1988 American comedy fantasy film directed by Tim Burton, produced by The Geffen Film Company and distributed by Warner Bros. The plot revolves around a recently deceased young couple (Alec Baldwin and Geena Davis) who become ghosts haunting their former home, and an obnoxious, devious ghost named Betelgeuse (pronounced Beetlejuice, portrayed by Michael Keaton) from the Netherworld who tries to scare away the new inhabitants (Catherine O'Hara, Jeffrey Jones, and Winona Ryder) permanently.
After the success of Pee-wee's Big Adventure, Burton was sent several scripts and became disheartened by their lack of imagination and originality. When he was sent Michael McDowell's original script for Beetlejuice, Burton agreed to direct, although Larry Wilson and later Warren Skaaren were hired to rewrite it. Beetlejuice was a critical and commercial success, grossing $73.7 million from a budget of $15 million. It won the Academy Award for Best Makeup and three Saturn Awards: Best Horror Film, Best Makeup and Best Supporting Actress for Sylvia Sidney, her final award before her death in 1999.
The film spawned an animated television series that Burton produced and a planned unproduced sequel, Beetlejuice Goes Hawaiian. In 2012, new development on a sequel was announced.
Barbara and Adam Maitland decide to spend their vacation decorating their idyllic Connecticut country home. As the two are driving home from a trip to town, Barbara swerves to avoid a dog and the car plunges into a river. After they return home, she and Adam notice that they now lack reflections and they discover a Handbook for the Recently Deceased. They then begin to suspect that they did not survive the car accident; Adam attempts to leave the house but finds himself in a strange, otherworldly landscape covered in sand and populated by enormous sandworms.
The house is sold and their new owners, the Deetz family, arrive from New York City. Charles Deetz is a former real estate developer; his second wife Delia is a self-proclaimed sculptor; and his goth daughter Lydia, from his first marriage, is an aspiring photographer. Under the guidance of interior designer Otho, the Deetzes transform the house into tasteless pastel-toned modern art. Consulting the Handbook, the Maitlands travel to an otherworldly waiting room populated by other distressed souls, where they discover that the afterlife is structured according to a complex bureaucracy involving vouchers and caseworkers. The Maitlands' own caseworker, Juno, informs them that they must remain in the house for 125 years. If they want the Deetzes out of the house, it is up to them to scare them away. Barbara and Adam's attempts at scaring the family prove ineffective.